Creating a logo in the style of the Arts and Crafts Movement:
• Use a natural, earthy color palette
• Create dense, flowing compositions, florals and curved shapes
• Depict floral and plant themes in a natural way
• Use medieval-style typography
The presented brand identity is not made in such a dense layout, but is inspired by the image of nature as we see it in life: naturalness is emphasized by a calm color scheme. The result is an aesthetic desire to admire and then eat these vegetables.
03. Art Nouveau (1880—1910)
Art Nouveau is often thought of as swirling and curly. In reality, the style expresses the psychological shifts and anxieties that were taking place at the turn of the twentieth century, and more often than not, the fluid and sinuous designs are a reflection of this state of flux and change.
It was the time of discoveries, new technologies, and deep knowledge of the world. In addition, there was an atmosphere of emancipation in the air. In the person of the liberated, modern malaysia mobile number list woman, men began to feel a rival for the title of master of life - now not only they could study, work, and even, imagine, ride bicycles.
Creating a logo in Art Nouveau style:
• Emphasize linear and abstract forms, flat design is brought by Japanese tradition
• Use curvy and flowing lines and shapes that transform, move and melt
• Design should express the depicted subject
• Depict female faces
The cover of this book of ancient Japanese tales is inspired by the influence of Japanese design that was popular during the Art Nouveau era. The letters “C” and “J” in the title are transformed by natural patterns; flowers seem to grow from the bottom of the book; and a dragonfly, a popular symbol of the current, flies in the upper right corner.
04. Dadaism (1910-1920)
The Dada style, or Dada, was a reaction to World War I as a counter-aesthetic movement that focused on anti-war politics.
For Dadaists, war has no meaning, and the society that participates in it is questioned – and therefore, art itself is questioned.
The artists sought to destroy traditional values in art and replace the old with the new. They recycled and experimented with old typography, creating a revolution against the “idiotic and nauseating concept of old-fashioned books,” and as a result, advertising design gushed with spontaneous lettering and images that were supposed to “double the expressive power of words.”
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